Partfaliaz
I keep seeing sumptuous AI images lose something the moment they start to move. In my experience, when artists animate AI art, the result often feels like a gimmick more than an addition.
There’s a line often attributed to Marcel Proust that’s become something of a travel-writing cliché: the real voyage of discovery isn’t about seeking new landscapes, but about having new eyes. Applied to what’s happened in AI art over the past few years, it stops being decorative and starts being useful. Because AI art did open…
AI artist Yasmin Gross also known as x.machina.flora is German-born and Paris-based, with a graphic design background and more than ten years in luxury visual communication. Her AI art moves between fashion, flowers and fine jewelry. The work is varied, yet a sure and assertive sense of taste runs through every series. We spoke with…
Elizaveta Skiba (ielanya_art) is a singular artist. Her background in graphic design and one personal quality above all, curiosity, opened the door to a field of expression she can no longer do without: AI art. She is developing a style of her own, one that leaves room for her love of animals.
IAmFrenchStudio is an art director and an “AI visual explorer,” already recognized on Instagram for his creative visuals. His style is sometimes dark, sometimes advertising. His work is detailed, precise and aesthetic. He invites us to travel through his singular universes.
Franki Domino is an AI artist with a parallel career most AI artists don’t have. He’s spent twenty years as an illustrator specializing in collage, working under his own name, Julien Pacaud. That dual background shows.
A pre-training researcher quit Anthropic. His message was blunt: he had spent three years building frontier AI at OpenAI and Anthropic, and neither company was acting responsibly. Both were racing toward self-improving systems, he said, and “gambling with our lives.”
Amandine Leblanc is a French AI designer working under the name Studio 13 Mai, with a practice built around Midjourney, Luma, and Flora. In the interview that follows, she speaks candidly about her artistic background, her sources of inspiration, and her own reservations about AI.
“Good Artists Copy, Great Artists Steal” Long before AI art, Steve Jobs said it in 1996, on camera, and credited it to Picasso. Since then, the line has become one of the most repeated phrases in artists and creative culture.
Jon Gesalaga is a contemporary artist working at the intersection of the human body, AI-generated imagery, and a personal history that goes back over two decades. His current project, De Anatomia II, is still in progress, and deliberately so.