AI
I keep seeing sumptuous AI images lose something the moment they start to move. In my experience, when artists animate AI art, the result often feels like a gimmick more than an addition.
AI artist Yasmin Gross also known as x.machina.flora is German-born and Paris-based, with a graphic design background and more than ten years in luxury visual communication. Her AI art moves between fashion, flowers and fine jewelry. The work is varied, yet a sure and assertive sense of taste runs through every series. We spoke with…
Elizaveta Skiba (ielanya_art) is a singular artist. Her background in graphic design and one personal quality above all, curiosity, opened the door to a field of expression she can no longer do without: AI art. She is developing a style of her own, one that leaves room for her love of animals.
Franki Domino is an AI artist with a parallel career most AI artists don’t have. He’s spent twenty years as an illustrator specializing in collage, working under his own name, Julien Pacaud. That dual background shows.
A pre-training researcher quit Anthropic. His message was blunt: he had spent three years building frontier AI at OpenAI and Anthropic, and neither company was acting responsibly. Both were racing toward self-improving systems, he said, and “gambling with our lives.”
Amandine Leblanc is a French AI designer working under the name Studio 13 Mai, with a practice built around Midjourney, Luma, and Flora. In the interview that follows, she speaks candidly about her artistic background, her sources of inspiration, and her own reservations about AI.
“Good Artists Copy, Great Artists Steal” Long before AI art, Steve Jobs said it in 1996, on camera, and credited it to Picasso. Since then, the line has become one of the most repeated phrases in artists and creative culture.
Jon Gesalaga is a contemporary artist working at the intersection of the human body, AI-generated imagery, and a personal history that goes back over two decades. His current project, De Anatomia II, is still in progress, and deliberately so.
Working under the name Eugène, this Paris-based AI illustrator and creative director has built one of the most instantly recognizable visual worlds in generative art today
Airiquel makes AI art that is immediately recognizable and difficult to shake. Her visual language is built from deep blacks, blood reds, neon accents, and what reads, from the outside, as a gothic-luxury atmosphere drawn from horror cinema, high-fashion editorial, and surrealist painting.