Patricia Geagea (Entre Deux): A Humanist Approach to AI-Generated Illustration

In the rapidly evolving landscape of AI art, where technical prowess often overshadows emotional depth, Patricia Geagea (AKA @entredeux.official) stands out with a refreshingly humanist perspective.

As an internationally experienced art director and designer, she’s already carved a distinctive path in generative AI imagery, one that prioritizes sensitivity, poetry, and human connection.

Bridging Technology and Emotion

Patricia’s experimental practice demonstrates that AI-generated art doesn’t have to feel cold or mechanical. Her work seamlessly blends illustrative renderings with photographic influences, creating visual territories that exist in fascinating in-between spaces, between abstraction and figuration, between digital precision and organic warmth, between technology and humanity.

What immediately captivates viewers is her vibrant, considered use of color. Each piece feels deliberately composed yet spontaneously alive, as if the AI tools become an extension of her artistic vision rather than dictating it.

Patricia Geagea: A Humanist Approach to AI-Generated Illustration

A Practice Rooted in Exploration

Through careful articulation of forms, textures, and colors, Patricia creates images that tell stories without words. Her process involves deep experimentation with generative and creative technologies, constantly pushing the boundaries of what AI art can express. This isn’t just about prompt engineering, it’s about developing a visual language that resonates on an emotional level.

Inspiration for Emerging Creators

For young digital artists and AI enthusiasts navigating this new creative frontier, Patricia’s journey offers valuable insights. Her international background brings diverse cultural influences to her work, while her design expertise ensures every generated image maintains artistic integrity.

Her advice to emerging creators emphasizes the importance of developing a personal vision before letting technology lead the way. The tools are powerful, but the human perspective, the sensitivity, the intention, the emotional core, remains irreplaceable.

Let’s dive into Patricia’s AI art world.

Can you introduce yourself?

Hello, I’m Patricia Geagea, a Brand Design Director based in Canada. Alongside my full-time leadership role in fintech, I’ve been building an AI-driven practice across still imagery and motion, blending techniques to craft expressive, character-led portraits.

How long have you been using generative AI?

I’ve been working with generative AI for over a year, initially as a space for exploration and experimentation. Since then, it has evolved into a professional practice, with AI now embedded in both my personal and applied work. I approach AI as a medium for building visual systems, extending ideas, and shaping art direction across campaigns.

I don’t rely on one-click results. My process is iterative built on repeated testing, refinement, and selection. AI generates possibilities; I curate and decide what stays. Composition, balance, and mood are always intentional in my work. Coming from a graphic design background, I approach composition deliberately, shaping structure to break balance, and create contrast where needed.

What is your biggest source of inspiration currently?

People. I started this account as a way to create portraits of everyday individuals, placing them within their natural environments. I’m drawn to how culture, personal taste, and context shape identity, the clothes people wear, the spaces they inhabit, and the details they choose to surround themselves with. Each portrait becomes a quiet study of who they are, expressed through atmosphere, mood, and subtle cues rather than idealization. I’m more interested in images that feel lived-in, familiar, and emotionally grounded than in polished or perfect representations.

Which AI tools do you use the most?

I start with Midjourney for image creation, as it gives me strong control over style, and texture. From there, I often bring the images into Flora to explore different angles and variations using Nano Banana for visual & style consistency, build narrative around a scene, and experiment with motion. For animation, I test a range of tools Kling has been delivering particularly strong results lately, and I also use Veo depending on the project. I enjoy working across platforms because it allows me to push ideas further and explore both still and motion within the same visual world.

Any advice for those who want to get started with AI art?

Start, and don’t overthink it. Spend time using the tools experimentation will naturally lead you toward styles, ideas, and directions you wouldn’t have anticipated. At the same time, it’s important to be mindful and responsible: protect artists’ work, avoid referencing living artists, and focus on developing your own visual language. Building with intention and respect not only strengthens your practice, but also makes the creative process more meaningful and rewarding.